Interaction Design is very gratifying.

交互設計非常令人滿意。

From fast critical thinking to extracting ideas in tangible forms within the team is sure fun and challenging.

從快速的批判性思維到在團隊內部以有形的形式提煉想法，無疑是充滿樂趣和挑戰性的。

At times, the UI becomes Achilles heel in an otherwise excellent solution and thinking. Many designers are averse to just practicing mock ups of good interfaces to home the craft — certainly not without reason.

有時，UI在其他方面出色的解決方案和思想中成為致命弱點。 許多設計師不愿意僅僅練習良好界面的模型來使Craft.io熟練，當然這并非沒有道理。

Here is a simple mnemonic device for making the UI coherent and more appealing in an instant — C.R.A.P.

這是一個簡單的助記符設備，可用于使UI連貫且更具吸引力-CRAP

The elements of C.R.A.P. that can totally change the look and feel of a work are:

完全改變作品外觀的CRAP元素包括：

E.g. The headline typeface in this image is a heavy weight Slab Serif (Memphis) while the body is a small font san-serif — providing ample contrast and interest.

例如，此圖像中的標題字體是重量很重的Slab Serif(孟菲斯)，而正文是小字體San-Serif，可提供足夠的對比度和趣味性。

Caveat: Make sure the elements are in contrast and not conflict.

警告：請確保元素形成對比而不沖突。

E.g. The short design element under headline and the same BnW style is repeated in all the pieces, which binds the piece together.

例如，標題中的短設計元素和相同的BnW樣式在所有作品中重復出現，將作品綁定在一起。

E.g. Every element is left flushed, that gives a nice cohesive feeling to the design — as opposed to when elements aren’t aligned.

例如，每個元素都保持沖洗狀態，這給設計帶來了很好的凝聚力，這與元素未對齊時相反。

E.g. The two description lines in close proximity imply that they are meant to be consumed together and specify a relationship.

例如，緊鄰的兩條描述行意味著它們將被一起使用并指定一種關系。

That’s it.🌟

就是這樣🌟

If you want to explore further you can go through Robin Williams’ beautiful Book on the same. I found it quite valuable.

如果您想進一步探索，可以閱讀羅賓·威廉姆斯(Robin Williams)的精美書籍 。 我發現它很有價值。